Week 3: Pound and Provence
'Cino' and 'Na Audiart' as examples of Pound's working with Provencal themes and modes; and 'Near Perigord' as the great poem of his early years. Req'd reading: Eliot's "Tradtion and the Individual Talent".
Response to "Tradtion and the Individual Talent":
Essence of the image (an intellectual and emotional complex)
Pound - 'The Spirit of Romance': spirit of lyricism, religious sensibility, awakened in Provence, then to Italy (Petrarch, Dante etc...). The sonnet rose out of Provence.
Pound saw the lyric tradition as being reawoken in Provence->Italy, then Northern Europe and Elizabethan England (then disappearing). He wanted to reawaken the tradition, as a living force.
[Cantos - the vision destroyed, then reasserted.] Again cf The Waste Land - poetic engagement with the notion of tradition.
Writers with a tradition: Eliot/ Pound/ Joyce/ Beckett.
Joyce: myth as a structured force, cf the Provencal tradition.
[/Modernism - Transcendentalism without God] -> something of transcendental mysticism.
Eliot/Pound: spirit of literature/ tradtion (in place of spirit of God)
Pound: "Make it new" best of the present/ best of the past.
"Na Audiart": Troubadour "clus" (trobar clus): a poetic style composed of complex metrics, intricate rhymes, and words chosen more for their sound than for their meaning.
"fashion" / "pass I on" - wit underlining reverence and love
cf "When you are old, under the candellight" ... you will regret...
- the tragedy of age // preciousness of beauty and youth
i.) Phanopoeia: light (visual imagination)
ii.) Melopoeia: sweet (lyrical/ musical imagination)
iii.) Logopoeia: word (illusions and cultures created through words)
"Near Perigord": Think - what is the motivation of Bertrans? Enigma... Come back to this.
The riddle of the love poem - cf Canto 28 of the Inferno (Bertrans into Hell and severed head) = source (borrowings)
Response to "Tradtion and the Individual Talent":
Essence of the image (an intellectual and emotional complex)
Pound - 'The Spirit of Romance': spirit of lyricism, religious sensibility, awakened in Provence, then to Italy (Petrarch, Dante etc...). The sonnet rose out of Provence.
Pound saw the lyric tradition as being reawoken in Provence->Italy, then Northern Europe and Elizabethan England (then disappearing). He wanted to reawaken the tradition, as a living force.
[Cantos - the vision destroyed, then reasserted.] Again cf The Waste Land - poetic engagement with the notion of tradition.
Writers with a tradition: Eliot/ Pound/ Joyce/ Beckett.
Joyce: myth as a structured force, cf the Provencal tradition.
[/Modernism - Transcendentalism without God] -> something of transcendental mysticism.
Eliot/Pound: spirit of literature/ tradtion (in place of spirit of God)
Pound: "Make it new" best of the present/ best of the past.
"Na Audiart": Troubadour "clus" (trobar clus): a poetic style composed of complex metrics, intricate rhymes, and words chosen more for their sound than for their meaning.
"fashion" / "pass I on" - wit underlining reverence and love
cf "When you are old, under the candellight" ... you will regret...
- the tragedy of age // preciousness of beauty and youth
i.) Phanopoeia: light (visual imagination)
ii.) Melopoeia: sweet (lyrical/ musical imagination)
iii.) Logopoeia: word (illusions and cultures created through words)
"Near Perigord": Think - what is the motivation of Bertrans? Enigma... Come back to this.
The riddle of the love poem - cf Canto 28 of the Inferno (Bertrans into Hell and severed head) = source (borrowings)
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